On-Location Reels Camerawoman Needed
Budget: ₹100 – ₹400 INR
I spend most days chasing breaking stories and grabbing quick, news-driven sound-bites for my audience. To keep the momentum going, I need a camerawoman who is as up-to-date on current events as I am and can capture interviews for Instagram Reels while we are out in the field.
We will be moving from one location to another—press conferences, street reactions, pop-up events—so you should feel comfortable setting up fast, framing vertically (9:16), and keeping audio clear amid city noise. If you already shoot on your own iPhone with plenty of free storage, that’s a definite advantage; I can supply a compact lav mic and small LED panel when extra light or cleaner audio is needed.
Typical flow
• Meet on-site, discuss the angle of the story and any last-minute updates.
• Record a 60–90-second interview (occasionally a second take for safety).
• Air-drop or cloud-transfer the footage to me on the spot so I can publish quickly.
What I expect in each hand-off
• Crisp, steady 1080 × 1920 footage.
• Clean audio—no clipping, minimal background rumble.
• Basic color consistency; no edits or graphics required.
Shoots are generally short (15–30 minutes per stop) but time-sensitive. Reliability, a good eye for composition, and genuine interest in the news cycle will make this a smooth collaboration. If this sounds like you, let’s talk about the next assignment.
We will be moving from one location to another—press conferences, street reactions, pop-up events—so you should feel comfortable setting up fast, framing vertically (9:16), and keeping audio clear amid city noise. If you already shoot on your own iPhone with plenty of free storage, that’s a definite advantage; I can supply a compact lav mic and small LED panel when extra light or cleaner audio is needed.
Typical flow
• Meet on-site, discuss the angle of the story and any last-minute updates.
• Record a 60–90-second interview (occasionally a second take for safety).
• Air-drop or cloud-transfer the footage to me on the spot so I can publish quickly.
What I expect in each hand-off
• Crisp, steady 1080 × 1920 footage.
• Clean audio—no clipping, minimal background rumble.
• Basic color consistency; no edits or graphics required.
Shoots are generally short (15–30 minutes per stop) but time-sensitive. Reliability, a good eye for composition, and genuine interest in the news cycle will make this a smooth collaboration. If this sounds like you, let’s talk about the next assignment.