Weekly Instagram Skit Recording
Budget: $15 – $25 USD
I publish short, fun videos on Instagram every week and now I want to level them up with consistently shot, character-based humorous skits. Your job is to meet with me once a week, capture the footage, and hand over either clean, well-labeled clips or a quick rough cut ready for my feed.
Here is what the session usually looks like:
• We brainstorm or run through the script together (all skits revolve around recurring characters I play).
• You frame and film in vertical 9:16, paying attention to lighting, crisp audio, and steady camera moves. A latest-gen phone, mirrorless camera, or DSLR is fine as long as the image is sharp and colour-true.
• Each shoot lasts about an hour and yields one completed skit of 30–90 seconds.
After filming I expect the files delivered via Drive, Dropbox, or AirDrop on the same day so I can edit captions and schedule the post. If you’re comfortable trimming, adding simple jump-cuts or subtitles in Premiere Pro, Final Cut, CapCut, or a comparable editor, that’s a bonus but not mandatory.
Key acceptance criteria
• Footage is vertically framed, 1080 × 1920 or higher, no black bars.
• Dialogue is clear—lav mic or shotgun preferred; on-board mic only if the environment stays quiet.
• Colour and exposure are balanced; no blown highlights or heavy noise.
• Files arrive before midnight on shoot day, logically named and in chronological order.
We’ll start with a single session next week and, if we click creatively, lock in a standing weekly slot.
Here is what the session usually looks like:
• We brainstorm or run through the script together (all skits revolve around recurring characters I play).
• You frame and film in vertical 9:16, paying attention to lighting, crisp audio, and steady camera moves. A latest-gen phone, mirrorless camera, or DSLR is fine as long as the image is sharp and colour-true.
• Each shoot lasts about an hour and yields one completed skit of 30–90 seconds.
After filming I expect the files delivered via Drive, Dropbox, or AirDrop on the same day so I can edit captions and schedule the post. If you’re comfortable trimming, adding simple jump-cuts or subtitles in Premiere Pro, Final Cut, CapCut, or a comparable editor, that’s a bonus but not mandatory.
Key acceptance criteria
• Footage is vertically framed, 1080 × 1920 or higher, no black bars.
• Dialogue is clear—lav mic or shotgun preferred; on-board mic only if the environment stays quiet.
• Colour and exposure are balanced; no blown highlights or heavy noise.
• Files arrive before midnight on shoot day, logically named and in chronological order.
We’ll start with a single session next week and, if we click creatively, lock in a standing weekly slot.