Film Rotoscoping Experts Wanted

I have a run of feature-film shots that need precise, production-level rotoscoping. The plates come in at 2K and 4K and the client expects ultra-clean mattes that hold up under heavy comp and color grading, so every edge, motion blur, hair detail and occlusion must read perfectly on a big screen.

What I need from you
• Clean articulated mattes for characters, props and occasional environment holdouts
• Delivered as rendered alpha sequences (EXR/DPX) plus the editable project files from your preferred tool (Silhouette, Mocha Pro, Nuke, etc.)
• Shot and layer naming that follows the provided template so the compositing team can drop the files straight into their script

Scope & volume
The first batch is 80–100 shots—mixture of static, handheld and VFX plates—with more work lined up if the quality is right. Turnaround is fast, but reasonable; I’m scheduling rolling deliveries so we can review, give notes and keep the pipeline moving smoothly.

What will make your bid stand out
• Solid film credits or demo material that shows hair, edge detail and motion-blur heavy work
• Experience matching Marvel/Netflix/WB feature quality is ideal, though top-tier TV or commercials are fine if the polish is there
• A short note on the tools you use and how you manage versioning/time-tracking on multi-shot deliveries

I review on a shot-by-shot basis and pay promptly once each bundle passes QC. If you can jump onto this film right away, send over your reel and let’s see if we’re a fit.