WHITE DOVE
Budget: $50 – $0 USD
Good afternoon,
We are looking for a music manager/Record label company/ Brand Manager who is creative and can work with an individual of high caliber. Her identity is masked due to political reasons.
This individual is an artist with an angelic voice who has served human vulnerabilities since 1998.
This artist does not want to be revealed and has created a shield on her identity. This artist (White Dove) sings for one purpose (War, famine, poverty, trafficking, sickness, children, etc).
White Dove writes her own lyrics and composes as well.
When you hear "White Dove's" composition, you will find it chilling in the minor key. Is is great against a very clean soprano. It's extremely sweeping and clear. The engineering and orchestration is wonderful. Perhaps some additions of instrumentation, such as cello, strings, violin, deeper percussion can serve. In short, as some of us have heard it, it's fabulous and different. As a contralto of 34 years and a guitar teacher of 20 in two bands with radio play, I love it and I don't usually love soprano work, but it's almost alto and has just the right variance and emotion to carry. The crescendos are warming. It is fantastic. Given my background in music, this can be a masterpiece.
Please let me know if you would like to hear it or talk more.
Sally T
We are looking for a music manager/Record label company/ Brand Manager who is creative and can work with an individual of high caliber. Her identity is masked due to political reasons.
This individual is an artist with an angelic voice who has served human vulnerabilities since 1998.
This artist does not want to be revealed and has created a shield on her identity. This artist (White Dove) sings for one purpose (War, famine, poverty, trafficking, sickness, children, etc).
White Dove writes her own lyrics and composes as well.
When you hear "White Dove's" composition, you will find it chilling in the minor key. Is is great against a very clean soprano. It's extremely sweeping and clear. The engineering and orchestration is wonderful. Perhaps some additions of instrumentation, such as cello, strings, violin, deeper percussion can serve. In short, as some of us have heard it, it's fabulous and different. As a contralto of 34 years and a guitar teacher of 20 in two bands with radio play, I love it and I don't usually love soprano work, but it's almost alto and has just the right variance and emotion to carry. The crescendos are warming. It is fantastic. Given my background in music, this can be a masterpiece.
Please let me know if you would like to hear it or talk more.
Sally T