Rekordbox DJ Library Management
Budget: $8 – $15 USD
My team and I depend on a tight, up-to-date collection inside Rekordbox, but keeping it current has become a full-time job. I’m looking for a detail-oriented music lover who can take over the entire library workflow—both the ongoing hunt for new tracks and the clean-up of what’s already there.
Here’s what the role looks like day to day:
• Sourcing fresh music: pull the latest releases from DMS, Promo Only and any other reputable pool you already trust. I’m open to your suggestions as long as the files are high-quality and legally obtained.
• Importing and organizing: every track lands in Rekordbox sorted strictly by genre. From there, create clear sub-folders and smart playlists so our DJs can zero in on the right vibe in seconds.
• Catalog clean-up: analyse and re-tag the existing collection so the entire library follows the same genre structure. Duplicates, bad rips, missing artwork—please fix or flag them as you go.
• Ongoing upkeep: schedule regular sweeps (weekly or bi-weekly) to add new music, archive deadweight, and keep the database optimised so Rekordbox loads fast during shows.
You’ll need solid experience inside Rekordbox, a good ear for event-ready tracks, and the discipline to maintain tidy metadata. If that sounds like your groove, let me know a bit about your past library work and how you’d approach the first hand-off.
Here’s what the role looks like day to day:
• Sourcing fresh music: pull the latest releases from DMS, Promo Only and any other reputable pool you already trust. I’m open to your suggestions as long as the files are high-quality and legally obtained.
• Importing and organizing: every track lands in Rekordbox sorted strictly by genre. From there, create clear sub-folders and smart playlists so our DJs can zero in on the right vibe in seconds.
• Catalog clean-up: analyse and re-tag the existing collection so the entire library follows the same genre structure. Duplicates, bad rips, missing artwork—please fix or flag them as you go.
• Ongoing upkeep: schedule regular sweeps (weekly or bi-weekly) to add new music, archive deadweight, and keep the database optimised so Rekordbox loads fast during shows.
You’ll need solid experience inside Rekordbox, a good ear for event-ready tracks, and the discipline to maintain tidy metadata. If that sounds like your groove, let me know a bit about your past library work and how you’d approach the first hand-off.
Related categories:
Audio Services
Music
Sound Design
Audio Production
Audio Editing
Music Management
Music Production
Data Management