Program Jolt 300 Pyro Lightshow
Budget: $250 – $750 USD
I’m producing a 28-minute pyromusical and have eight Chauvet Jolt 300 RGB strobes split over four mounting positions. The soundtrack is almost finished; the fireworks scripting has begun. I hold a SoundSwitch license—what’s missing is the time to build a tight, pre-programmed lighting sequence that sits perfectly between the music and the shells.
Here’s what I need from you:
• A complete SoundSwitch (or compatible) show file that drives all eight Jolts through pulsing hits, smooth color changes, and tasteful fades and transitions, always in time with the audio.
• Colour palettes and cue timing that mirror the firework colours, with key moments accentuated by one-off lighting stabs exactly when specialty effects break in the sky.
• A timeline that spans the entire 28-minute track (over 40 song clips) with bar-accurate markers so I can drop the file straight into show control without further tweaking.
I’ll supply:
– The mastered soundtrack (WAV), with colors i want to focus on by song clip.
– Fixture profiles and current DMX addressing for each Jolt 300.
Acceptance: I’ll load the file onto my SoundSwitch rig, run it in offline visualiser, and then on-site for final rehearsal. If cues hit within ±2 frames of the audio and match the scripted firework bursts, we’re done.
If you’re fluent in SoundSwitch (or can export compatible time-coded cues), let’s get this locked in so the lights, music and fireworks fire as one.
Here’s what I need from you:
• A complete SoundSwitch (or compatible) show file that drives all eight Jolts through pulsing hits, smooth color changes, and tasteful fades and transitions, always in time with the audio.
• Colour palettes and cue timing that mirror the firework colours, with key moments accentuated by one-off lighting stabs exactly when specialty effects break in the sky.
• A timeline that spans the entire 28-minute track (over 40 song clips) with bar-accurate markers so I can drop the file straight into show control without further tweaking.
I’ll supply:
– The mastered soundtrack (WAV), with colors i want to focus on by song clip.
– Fixture profiles and current DMX addressing for each Jolt 300.
Acceptance: I’ll load the file onto my SoundSwitch rig, run it in offline visualiser, and then on-site for final rehearsal. If cues hit within ±2 frames of the audio and match the scripted firework bursts, we’re done.
If you’re fluent in SoundSwitch (or can export compatible time-coded cues), let’s get this locked in so the lights, music and fireworks fire as one.
Related categories:
Audio Services
After Effects
Music
Audio Production
Audio Editing
Lighting Design
Visual Effects