DaVinci Resolve Video Post-Production
Budget: $4,000 – $6,000 USD
We are about to shoot a film in raw footage in 8K for a sleek, attention-grabbing finished feature horror film.We are looking for an experienced editor in the Philippines who is completely at home inside DaVinci Resolve—no exceptions, to work on large files in 8K on our Davinci editing station, high speed Mac and Blackmagic editing platform.
This is a 4 months full time assignment for a feature film, on location in General Trias, no remote job.
Accommodation provided.
Good compensation package if proven experience. Negotiable if Some practice or coaching is necessary to get to level.
Here’s what the cut will require:
• Precise cutting and trimming for tight storytelling .
• Seamless effects and transitions that fit the brand tone
• Full color correction and grading to a cinematic look
• Rotoscoping and object removal where shots demand it
• Compositing, chroma-key work and VFX polish
Footage in Raw 12-Bit 8192 x 4320 at 60 fps, 8K. We provided reference visuals and any brand assets (logos, lower-thirds, fonts).
You’ll edit to international standard:
• A mastered 4K ProRes 422 HQ file and a social-ready H.264 version
• The Resolve project file (.drp) with all grades, nodes and timelines intact
• Any external assets used in compositing, clearly organized
Team work on location is key. If you thrive in Resolve’s Fusion and Color pages and can turn raw material into a polished, effects-driven story, let’s talk.
Additional VFX work with AI artists on Pollo AI, Nuke, and EbSynth for AI aging.
Please send demo reels or work sample references.
This is a 4 months full time assignment for a feature film, on location in General Trias, no remote job.
Accommodation provided.
Good compensation package if proven experience. Negotiable if Some practice or coaching is necessary to get to level.
Here’s what the cut will require:
• Precise cutting and trimming for tight storytelling .
• Seamless effects and transitions that fit the brand tone
• Full color correction and grading to a cinematic look
• Rotoscoping and object removal where shots demand it
• Compositing, chroma-key work and VFX polish
Footage in Raw 12-Bit 8192 x 4320 at 60 fps, 8K. We provided reference visuals and any brand assets (logos, lower-thirds, fonts).
You’ll edit to international standard:
• A mastered 4K ProRes 422 HQ file and a social-ready H.264 version
• The Resolve project file (.drp) with all grades, nodes and timelines intact
• Any external assets used in compositing, clearly organized
Team work on location is key. If you thrive in Resolve’s Fusion and Color pages and can turn raw material into a polished, effects-driven story, let’s talk.
Additional VFX work with AI artists on Pollo AI, Nuke, and EbSynth for AI aging.
Please send demo reels or work sample references.
Related categories:
Post-Production
Video Production
Video Editing
DaVinci Resolve
VFX Art
Visual Effects
Color Grading