Ongoing Trendy Textile Video Editing
Budget: ₹6,000 – ₹8,000 INR
My textile label needs a reliable post-production hand so every piece of fabric on camera feels as vibrant online as it does in person. The visual tone is trendy and modern: punchy colour grading that shows weave details, slick but un-distracting transitions, and a pace that keeps viewers hooked from the first swatch to the final stitch.
Weekly workflow
• One hero video, 15–20 minutes, shot in 16:9. This is a fuller product showcase that blends product close-ups with a bit of behind-the-scenes action while I narrate the story of each collection.
• Three to four reels, each about a minute, cut in 9:16 for Instagram and similar platforms. These should recycle the strongest moments (fabric movement, quick BTS snippets, reveal shots) while adding trending captions, SFX and music.
Clean audio balancing, subtle motion graphics for titles, and exports in both 4K and 1080p are part of the package. I shoot in LOG on a Sony mirrorless, so experience with Sony colour science and LUTs inside Premiere Pro, Final Cut or DaVinci Resolve will make life easier for both of us.
Show me your experience—links to past edits that feature product close-ups or a tasteful peek behind the curtain tell me far more than a long proposal ever could. If a consistent weekly rhythm and creative freedom to shape a growing fashion brand sound appealing, let’s start cutting.
Also need someone who has experience in colour grading.
Weekly workflow
• One hero video, 15–20 minutes, shot in 16:9. This is a fuller product showcase that blends product close-ups with a bit of behind-the-scenes action while I narrate the story of each collection.
• Three to four reels, each about a minute, cut in 9:16 for Instagram and similar platforms. These should recycle the strongest moments (fabric movement, quick BTS snippets, reveal shots) while adding trending captions, SFX and music.
Clean audio balancing, subtle motion graphics for titles, and exports in both 4K and 1080p are part of the package. I shoot in LOG on a Sony mirrorless, so experience with Sony colour science and LUTs inside Premiere Pro, Final Cut or DaVinci Resolve will make life easier for both of us.
Show me your experience—links to past edits that feature product close-ups or a tasteful peek behind the curtain tell me far more than a long proposal ever could. If a consistent weekly rhythm and creative freedom to shape a growing fashion brand sound appealing, let’s start cutting.
Also need someone who has experience in colour grading.