Cinematic Color Grading for Two Clips
Budget: €30 – €250 EUR
Color Grading Needed – DJI Osmo Pocket 3 (D-Log) | Cinematic Netflix Look
I’m looking for an experienced colorist to grade two short video clips. The editing workload is very small—the only task is professional color grading.
Footage:
* Camera: DJI Osmo Pocket 3
* Format: D-Log
* Resolution: 4K
* Two short clips
Reference Look:
The scene should match the cinematic color grading from Netflix’s Man on Fire, Episode 4, starting around the 6-minute mark. The atmosphere is dark, moody, and cinematic with cool blue tones and subtle warm highlights.
Important:
* Keep the image sharp and high quality.
* My face must remain natural, clearly visible, and well-separated from the background.
* Do not make skin tones overly dark, brown, or muddy.
* Preserve maximum image quality—no unnecessary compression or loss of detail.
* The final result should look like a professional streaming production, not a standard LUT applied over the footage.
Please only apply if you have experience with cinematic color grading and can accurately match a reference look. If possible, send examples of similar work.
I’m looking for an experienced colorist to grade two short video clips. The editing workload is very small—the only task is professional color grading.
Footage:
* Camera: DJI Osmo Pocket 3
* Format: D-Log
* Resolution: 4K
* Two short clips
Reference Look:
The scene should match the cinematic color grading from Netflix’s Man on Fire, Episode 4, starting around the 6-minute mark. The atmosphere is dark, moody, and cinematic with cool blue tones and subtle warm highlights.
Important:
* Keep the image sharp and high quality.
* My face must remain natural, clearly visible, and well-separated from the background.
* Do not make skin tones overly dark, brown, or muddy.
* Preserve maximum image quality—no unnecessary compression or loss of detail.
* The final result should look like a professional streaming production, not a standard LUT applied over the footage.
Please only apply if you have experience with cinematic color grading and can accurately match a reference look. If possible, send examples of similar work.