4k videographer need it to shoot a music video raw
Budget: $30 – $250 USD
MAAFI NAHI, PATEL – ADVANCED VIDEO SHOOTING PLAN (MUMBAI STREET STYLE)
OVERVIEW:
Concept: The music video revolves around a powerful female rapper dominating the streets of Mumbai with her voice, while two aggressive male dancers and one flamboyant trans performer react, dance, and echo her power. Every shot is gritty, cinematic, fast-cut, with smoke, neon, and movement. Divine-style realism meets theater-level chaos.
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SCENE 1: “Patel” INTRO – Dadar Slum Rooftops
Location: Rooftops of old chawls near Dadar station, clotheslines, satellite dishes, blue water drums.
Time: Golden Hour (sunset)
Visuals:
• Female vocalist appears alone, walking on tin rooftops between water tanks.
• As she shouts “Maafi nahi Patel!”, she kicks a plastic chair off the edge.
• One male dancer appears shirtless from behind a water drum and begins a popping-locking routine.
• Quick zooms and whip-pans.
Camera: Handheld drone + 50mm lens for chaos + wide establishing shot with skyline.
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SCENE 2: VERSE 1 – Kurla Industrial Yard (Rusty Containers)
Location: Empty rail container yard with rusted walls, oil drums, and metal scraps.
Time: Midday, harsh sun
Visuals:
• Rapper walks down a row of rusted train containers, rapping directly to camera.
• The trans performer enters wearing flamboyant clothing (sparkle boots, eyeliner) and mimics the rapper sarcastically.
• The second male dancer slides in on a hand cart and flips off.
• There’s a small fire barrel burning behind them.
Camera: Low-angle glide shots, whip pan transitions, lens flare bounce.
⸻
SCENE 3: HOOK 2 – Lalbaug Flyover Night Scene
Location: Under the Lalbaug flyover with street vendors, flickering neon, spilled chai.
Time: Night with heavy shadows and traffic light leaks
Visuals:
• All four characters in frame, walking in a power-formation toward camera.
• The rapper in center, men flanking, trans artist twirling a scarf and dancing with exaggerated flair.
• Closeups on their feet stomping in sync, camera switches sides with every “glitch vibe” bar.
• At “choke” line: trans artist presses a tomato into the ground with foot.
Camera: Dutch angles, rotating shots, neon tube lights in background.
⸻
SCENE 4: VERSE 3 – Abandoned Cinema Hall
Location: Derelict interior of an old single-screen Mumbai cinema (peeling seats, moldy posters).
Time: After midnight, one emergency light only
Visuals:
• Rapper standing alone on old stage, screaming into darkness.
• Dancers moving in shadows between the seats, one falls flat during “curse” bar.
• Trans artist dances in the aisle with handheld mirror flashing light.
Camera: Wide crane shots + top-down + flashlight POV as if haunted.
⸻
SCENE 5: FINAL HOOK + OUTRO – Fish Market (Empty at Dawn)
Location: Sassoon Dock or Colaba Fish Market, early morning while still empty.
Time: 5 AM with fog and low sky
Visuals:
• Rapper walks through fish crates alone, holding a mic like a weapon.
• Male dancers appear one-by-one on crates, stomping in water.
• Trans artist slowly raises a fish net over her head like a crown.
• At final line, rapper walks into fog as camera rises.
Camera: Slow dolly backward, overhead drone, 35mm soft focus on water.
⸻
Costume + Styling:
• Rapper: Oversized jacket, boots, long hair tied back, aggressive kohl eyes.
• Male dancers: One shirtless with suspenders, one in faded kurta + jeans.
• Trans artist: Mix of traditional (chunni, bindi) with ultra-modern glittery sneakers + studs.
Overall Vibe:
Grit, tension, chaos. But with theatrical expression, Mumbai texture, and Divine-level grounded power. Full commitment to female vocal dominance. One shot = one punch.
ALL FOR VERY LOW BUDGET 50 usd any 4k camera accepted SHOOTİNG ANGEL SKİLLS REQUIRED , SHOOTING DETAILS WILL BE GIVEN
OVERVIEW:
Concept: The music video revolves around a powerful female rapper dominating the streets of Mumbai with her voice, while two aggressive male dancers and one flamboyant trans performer react, dance, and echo her power. Every shot is gritty, cinematic, fast-cut, with smoke, neon, and movement. Divine-style realism meets theater-level chaos.
⸻
SCENE 1: “Patel” INTRO – Dadar Slum Rooftops
Location: Rooftops of old chawls near Dadar station, clotheslines, satellite dishes, blue water drums.
Time: Golden Hour (sunset)
Visuals:
• Female vocalist appears alone, walking on tin rooftops between water tanks.
• As she shouts “Maafi nahi Patel!”, she kicks a plastic chair off the edge.
• One male dancer appears shirtless from behind a water drum and begins a popping-locking routine.
• Quick zooms and whip-pans.
Camera: Handheld drone + 50mm lens for chaos + wide establishing shot with skyline.
⸻
SCENE 2: VERSE 1 – Kurla Industrial Yard (Rusty Containers)
Location: Empty rail container yard with rusted walls, oil drums, and metal scraps.
Time: Midday, harsh sun
Visuals:
• Rapper walks down a row of rusted train containers, rapping directly to camera.
• The trans performer enters wearing flamboyant clothing (sparkle boots, eyeliner) and mimics the rapper sarcastically.
• The second male dancer slides in on a hand cart and flips off.
• There’s a small fire barrel burning behind them.
Camera: Low-angle glide shots, whip pan transitions, lens flare bounce.
⸻
SCENE 3: HOOK 2 – Lalbaug Flyover Night Scene
Location: Under the Lalbaug flyover with street vendors, flickering neon, spilled chai.
Time: Night with heavy shadows and traffic light leaks
Visuals:
• All four characters in frame, walking in a power-formation toward camera.
• The rapper in center, men flanking, trans artist twirling a scarf and dancing with exaggerated flair.
• Closeups on their feet stomping in sync, camera switches sides with every “glitch vibe” bar.
• At “choke” line: trans artist presses a tomato into the ground with foot.
Camera: Dutch angles, rotating shots, neon tube lights in background.
⸻
SCENE 4: VERSE 3 – Abandoned Cinema Hall
Location: Derelict interior of an old single-screen Mumbai cinema (peeling seats, moldy posters).
Time: After midnight, one emergency light only
Visuals:
• Rapper standing alone on old stage, screaming into darkness.
• Dancers moving in shadows between the seats, one falls flat during “curse” bar.
• Trans artist dances in the aisle with handheld mirror flashing light.
Camera: Wide crane shots + top-down + flashlight POV as if haunted.
⸻
SCENE 5: FINAL HOOK + OUTRO – Fish Market (Empty at Dawn)
Location: Sassoon Dock or Colaba Fish Market, early morning while still empty.
Time: 5 AM with fog and low sky
Visuals:
• Rapper walks through fish crates alone, holding a mic like a weapon.
• Male dancers appear one-by-one on crates, stomping in water.
• Trans artist slowly raises a fish net over her head like a crown.
• At final line, rapper walks into fog as camera rises.
Camera: Slow dolly backward, overhead drone, 35mm soft focus on water.
⸻
Costume + Styling:
• Rapper: Oversized jacket, boots, long hair tied back, aggressive kohl eyes.
• Male dancers: One shirtless with suspenders, one in faded kurta + jeans.
• Trans artist: Mix of traditional (chunni, bindi) with ultra-modern glittery sneakers + studs.
Overall Vibe:
Grit, tension, chaos. But with theatrical expression, Mumbai texture, and Divine-level grounded power. Full commitment to female vocal dominance. One shot = one punch.
ALL FOR VERY LOW BUDGET 50 usd any 4k camera accepted SHOOTİNG ANGEL SKİLLS REQUIRED , SHOOTING DETAILS WILL BE GIVEN