Two-Cam Interview Edit & Color
Budget: $30 – $250 USD
I have a set of straightforward, two-camera interviews—each with up to two on-screen subjects wearing individual lav mics—recorded as MP4s. Your job is to turn those raw takes into a polished, question-free conversation.
Here’s the flow: first, you’ll sync the two camera angles with the separate lav tracks. Once everything is in line, give the footage a clean, natural-looking grade that keeps skin tones honest and lighting consistent between angles. The interviewer’s voice and on-camera presence must disappear; when a subject begins an answer, that answer should simply play without the preceding question. If it helps the viewer, feel free to drop in a simple title card for each question before the answer begins.
Throughout the piece I’ll supply family photos that should glide in and out with a gentle Ken Burns move. Matching photo transitions to the emotional beats of an answer is important—they should feel integrated rather than decorative.
When you’re finished, I need:
• A master interview video with questions removed, color-corrected and graded
• All photo overlays embedded, Ken Burns moves complete
• Project file (Premiere Pro or Resolve) so I can pull social clips later
• Final H.264 export ready for upload
Everything is ready to hand off: camera files, discrete lav tracks, time-coded question list (more than ten per interview) and the photo folder. If this first edit goes smoothly, there will be plenty more interviews to follow.
Here’s the flow: first, you’ll sync the two camera angles with the separate lav tracks. Once everything is in line, give the footage a clean, natural-looking grade that keeps skin tones honest and lighting consistent between angles. The interviewer’s voice and on-camera presence must disappear; when a subject begins an answer, that answer should simply play without the preceding question. If it helps the viewer, feel free to drop in a simple title card for each question before the answer begins.
Throughout the piece I’ll supply family photos that should glide in and out with a gentle Ken Burns move. Matching photo transitions to the emotional beats of an answer is important—they should feel integrated rather than decorative.
When you’re finished, I need:
• A master interview video with questions removed, color-corrected and graded
• All photo overlays embedded, Ken Burns moves complete
• Project file (Premiere Pro or Resolve) so I can pull social clips later
• Final H.264 export ready for upload
Everything is ready to hand off: camera files, discrete lav tracks, time-coded question list (more than ten per interview) and the photo folder. If this first edit goes smoothly, there will be plenty more interviews to follow.