Cinematic Multi-Cam YouTube Editor
Budget: £10 – £15 GBP
Every two weeks I release a 30-minute YouTube episode built from 8–16 hours of raw material shot on four ground cameras and a drone, all recorded with matching timecode. Two separate mic feeds capture in-car and ambient track audio; keeping everything in strict chronological order is essential because viewers follow each lap as it unfolds.
Here’s what I need from you:
• Ingest and multi-cam sync of all footage and audio
• A tight, cinematic edit that maintains narrative flow
• Natural-look colour grading—no heavy stylisation
• Clean audio mix with room left for my own voice-over (I’ll add this after you return the project)
• Delivery of a 30-minute 4K master plus the organised project file and a VO-ready audio stem
I’ll provide the media via a shared drive and can keep sending new shoots on the same schedule, so consistent turnaround and careful media management matter just as much as creative flair. If multi-camera syncing, drone integration, and pacing fast-moving track content are second nature to you, I’m ready to hand over the first batch of files.
Here’s what I need from you:
• Ingest and multi-cam sync of all footage and audio
• A tight, cinematic edit that maintains narrative flow
• Natural-look colour grading—no heavy stylisation
• Clean audio mix with room left for my own voice-over (I’ll add this after you return the project)
• Delivery of a 30-minute 4K master plus the organised project file and a VO-ready audio stem
I’ll provide the media via a shared drive and can keep sending new shoots on the same schedule, so consistent turnaround and careful media management matter just as much as creative flair. If multi-camera syncing, drone integration, and pacing fast-moving track content are second nature to you, I’m ready to hand over the first batch of files.