Edit 3 Lipstick TV Ads
Budget: $10 – $30 USD
I have already shot all of the footage, captured close-ups of the product and recorded a short voice-over for three 30-second lipstick commercials that form the core of my university project. What I need now is an editor who can weave those raw clips, stills and audio stems into polished, broadcast-ready spots that feel fresh and professional.
You will receive:
• Separate folders containing the beauty shots and the voice-over WAVs.
• A rough storyboard that outlines the narrative flow of each advert and time-codes for key on-screen supers.
Your job is to:
1. Assemble each advert to exactly 30 seconds, keeping the pacing tight while allowing the lipstick shots to breathe.
2. Add tasteful transitions and light motion graphics for product names, shade numbers and the end-frame call-to-action.
3. Perform colour correction and creative grading so the lipstick shades pop on screen without drifting from real-life tones.
4. Layer royalty-free music or subtle sound design that complements the visuals (I have no set preference, so bring your own flair).
5. Deliver three final 1920×1080 H.264 MP4s plus the editable Premiere Pro or DaVinci Resolve project files.
Acceptance will be based on clean cuts, consistent colour across all three spots, clear on-screen text and overall broadcast quality. I’m happy to iterate quickly—this is for assessment—so clear communication and the ability to turn notes around within a day or two will be appreciated.
You will receive:
• Separate folders containing the beauty shots and the voice-over WAVs.
• A rough storyboard that outlines the narrative flow of each advert and time-codes for key on-screen supers.
Your job is to:
1. Assemble each advert to exactly 30 seconds, keeping the pacing tight while allowing the lipstick shots to breathe.
2. Add tasteful transitions and light motion graphics for product names, shade numbers and the end-frame call-to-action.
3. Perform colour correction and creative grading so the lipstick shades pop on screen without drifting from real-life tones.
4. Layer royalty-free music or subtle sound design that complements the visuals (I have no set preference, so bring your own flair).
5. Deliver three final 1920×1080 H.264 MP4s plus the editable Premiere Pro or DaVinci Resolve project files.
Acceptance will be based on clean cuts, consistent colour across all three spots, clear on-screen text and overall broadcast quality. I’m happy to iterate quickly—this is for assessment—so clear communication and the ability to turn notes around within a day or two will be appreciated.