Dynamic Action Shorts Editor
Budget: $15 – $25 AUD
I’m building a channel that fires out bite-sized adrenaline. For every assignment I’ll hand you full-length action movies or exact timecodes; your job is to carve out a single 30-second vertical Short that lets the audience feel the punch of the best fight, chase, or explosion in the film.
Here’s how I see the workflow:
• You preview the source, isolate the most electrifying sequence, and open with an instant hook within the first three seconds.
• Tighten pacing, add cinematic sound effects or royalty-free music where the original audio needs a lift, and layer crisp captions that keep the viewer locked in even on mute.
• Finish with a clean outro (no longer than two seconds) that leaves space for my end-screen template.
Technical specs are straightforward: 9:16, 1080×1920, H.264, maximum 30 s runtime. Deliver both the final .mp4 and the editable project file (Premiere Pro, Final Cut, DaVinci Resolve, or CapCut—whatever you’re most fluent in).
Creativity is king here; as long as the scene stays true to the source material and remains instantly gripping, I’m open to your stylistic flair with transitions, color tweaks, or speed ramps. If this sounds like the kind of fast-paced editing you thrive on, let’s start slicing.
Here’s how I see the workflow:
• You preview the source, isolate the most electrifying sequence, and open with an instant hook within the first three seconds.
• Tighten pacing, add cinematic sound effects or royalty-free music where the original audio needs a lift, and layer crisp captions that keep the viewer locked in even on mute.
• Finish with a clean outro (no longer than two seconds) that leaves space for my end-screen template.
Technical specs are straightforward: 9:16, 1080×1920, H.264, maximum 30 s runtime. Deliver both the final .mp4 and the editable project file (Premiere Pro, Final Cut, DaVinci Resolve, or CapCut—whatever you’re most fluent in).
Creativity is king here; as long as the scene stays true to the source material and remains instantly gripping, I’m open to your stylistic flair with transitions, color tweaks, or speed ramps. If this sounds like the kind of fast-paced editing you thrive on, let’s start slicing.
Related categories:
Audio Services
After Effects
Final Cut Pro
Sound Design
Video Editing
Adobe Premiere Pro
DaVinci Resolve
CapCut