Ongoing Real Estate Media Editing
Budget: $15 – $25 USD
I shoot a steady stream of property listings—around 10 – 20 every week—and each one needs the visual polish that makes buyers stop scrolling. A single job package contains 25–30 RAW stills plus six flat-profile video clips (roughly two minutes each). Here’s what I need from you on every hand-off:
• Photos: advanced retouching that goes well beyond simple color tweaks. Think exposure blending, perspective correction, sky or lawn replacements when required, removal of small blemishes or clutter, and a cohesive aesthetic across the entire set. Final delivery in high-resolution JPEG, ready for MLS upload and web.
• Videos: clean, cinematic color grading and solid stabilization so pans feel smooth and footage stays free of jitter. No heavy VFX—just professional-level polish that pairs naturally with the edited photos.
I transfer RAW files through Dropbox and keep a rolling calendar, so dependable 24-hour turnaround is essential. Adobe Lightroom, Photoshop, Premiere Pro, or DaVinci Resolve are all fair game as long as the output is consistent, sharp, and ready to post the moment it lands back in my inbox.
If you have a proven workflow for high-volume real estate media and can maintain the same crisp look from project to project, let’s start with a trial set this week and roll straight into regular weekly batches.
• Photos: advanced retouching that goes well beyond simple color tweaks. Think exposure blending, perspective correction, sky or lawn replacements when required, removal of small blemishes or clutter, and a cohesive aesthetic across the entire set. Final delivery in high-resolution JPEG, ready for MLS upload and web.
• Videos: clean, cinematic color grading and solid stabilization so pans feel smooth and footage stays free of jitter. No heavy VFX—just professional-level polish that pairs naturally with the edited photos.
I transfer RAW files through Dropbox and keep a rolling calendar, so dependable 24-hour turnaround is essential. Adobe Lightroom, Photoshop, Premiere Pro, or DaVinci Resolve are all fair game as long as the output is consistent, sharp, and ready to post the moment it lands back in my inbox.
If you have a proven workflow for high-volume real estate media and can maintain the same crisp look from project to project, let’s start with a trial set this week and roll straight into regular weekly batches.