Car Studio Retouching
Budget: $250 – $750 USD
I’m photographing twelve cars on a seamless white set and will hand over the RAW plates for full post-production. Each vehicle gets six exterior angles plus one interior 360° pano, giving you 72 still frames and 12 stitched panoramas to finish.
Exterior work centres on a pure-white background, reflection control and overall polish while preserving a deliberately low-gloss paint appearance the client specified. All props must stay out of frame; if anything slips in, please remove it completely.
The panoramas arrive pre-stitched by the agency. Your task is to erase every visible fingerprint or smudge, balance exposure for even brightness across the sphere and apply the same clean studio look as the exteriors.
Deliverables
• 72 retouched exterior files on white background
• 12 cleaned equirectangular 360° files (PSD with adjustment layers + final JPEG/PNG)
Please keep layered PSDs intact, organise them logically, and return colour-managed sRGB exports. Typical toolset would be Adobe Photoshop (or equivalent) for stills and an equirectangular-aware workflow for the panos—whatever you normally use is fine as long as the results are seamless.
Turnaround and revision windows are flexible; just outline how long you’ll need once you see the RAWs and we’ll align the schedule.
Exterior work centres on a pure-white background, reflection control and overall polish while preserving a deliberately low-gloss paint appearance the client specified. All props must stay out of frame; if anything slips in, please remove it completely.
The panoramas arrive pre-stitched by the agency. Your task is to erase every visible fingerprint or smudge, balance exposure for even brightness across the sphere and apply the same clean studio look as the exteriors.
Deliverables
• 72 retouched exterior files on white background
• 12 cleaned equirectangular 360° files (PSD with adjustment layers + final JPEG/PNG)
Please keep layered PSDs intact, organise them logically, and return colour-managed sRGB exports. Typical toolset would be Adobe Photoshop (or equivalent) for stills and an equirectangular-aware workflow for the panos—whatever you normally use is fine as long as the results are seamless.
Turnaround and revision windows are flexible; just outline how long you’ll need once you see the RAWs and we’ll align the schedule.