Finalize Retro One8 Logo Suite
Budget: €30 – €250 EUR
The 8-bit pizza slice mark for “one8” is roughed in, but it still breaks down when I blow it up or shrink it. Your first job is to refine the artwork so the pixels stay crisp and the silhouette is perfectly proportioned at every size.
Once the master is clean, I need a complete, production-ready package. That means BOTH print and digital formats: AI, EPS, PDF, SVG, plus transparent-background PNG and high-res JPG. Each file should open flawlessly in Illustrator, Photoshop, Figma and any standard RIP software.
Colour is intentionally minimal. Supply a neutral set—black, white and balanced grayscale—then output flat, reversed and grayscale logo versions, each clearly labelled and tucked into tidy folders so a printer or developer can grab them without guessing.
Typography must echo the playful retro vibe without getting gimmicky. Recommend a primary and secondary font, and outline a simple hierarchy (headers, subheads, body) that keeps the brand consistent across menus, signage and web.
I’ll sign off when:
• The icon scales cleanly—from favicon to storefront sign.
• All file variations are organised, named logically and pass a quick import-test.
• The type stack feels cohesive alongside the 8-bit art.
I’m ready to move fast—ASAP turnaround preferred—so let me know your approach and timeline.
Once the master is clean, I need a complete, production-ready package. That means BOTH print and digital formats: AI, EPS, PDF, SVG, plus transparent-background PNG and high-res JPG. Each file should open flawlessly in Illustrator, Photoshop, Figma and any standard RIP software.
Colour is intentionally minimal. Supply a neutral set—black, white and balanced grayscale—then output flat, reversed and grayscale logo versions, each clearly labelled and tucked into tidy folders so a printer or developer can grab them without guessing.
Typography must echo the playful retro vibe without getting gimmicky. Recommend a primary and secondary font, and outline a simple hierarchy (headers, subheads, body) that keeps the brand consistent across menus, signage and web.
I’ll sign off when:
• The icon scales cleanly—from favicon to storefront sign.
• All file variations are organised, named logically and pass a quick import-test.
• The type stack feels cohesive alongside the 8-bit art.
I’m ready to move fast—ASAP turnaround preferred—so let me know your approach and timeline.
Related categories:
Graphic Design
Logo Design
Photoshop
Illustrator
Adobe Illustrator
Figma
Adobe Creative Suite
Adobe Photoshop