Hourly Adobe Design & 3D Support
Budget: $2 – $8 USD
I’m looking for a dependable creative partner I can call on by the hour. Most of my day-to-day work lives in Adobe Illustrator, so strong vector skills are essential, but my workflow regularly branches into InDesign for multi-page layouts, After Effects for short video edits, and the occasional 3D product mock-up.
Here’s what collaboration typically looks like:
• You jump in to polish Illustrator artwork—icons, infographics, or full brand assets—following an existing style guide.
• When I hand over an InDesign file, you tidy up the layout, manage masters, and prep it for press or interactive PDF export.
• For quick promos or social ads, you open After Effects and cut together footage, add simple motion graphics, and export web-ready files.
• If a client needs a 3D visualization, you model or refine the object, apply realistic textures, and deliver stills or turntables that drop seamlessly into the rest of the campaign.
We’ll communicate via Slack and handle file exchange through Creative Cloud and Google Drive. I work Pacific Time but am flexible as long as we can overlap for reviews. Think of this as an ongoing, puzzle-piece arrangement: I’ll slot you in wherever your Adobe expertise best advances the project at hand.
If you’re comfortable moving fluidly between Illustrator, InDesign, After Effects, and 3D tools, and you enjoy varied, fast-turnaround tasks, let’s start with a small test hour and build from there.
Here’s what collaboration typically looks like:
• You jump in to polish Illustrator artwork—icons, infographics, or full brand assets—following an existing style guide.
• When I hand over an InDesign file, you tidy up the layout, manage masters, and prep it for press or interactive PDF export.
• For quick promos or social ads, you open After Effects and cut together footage, add simple motion graphics, and export web-ready files.
• If a client needs a 3D visualization, you model or refine the object, apply realistic textures, and deliver stills or turntables that drop seamlessly into the rest of the campaign.
We’ll communicate via Slack and handle file exchange through Creative Cloud and Google Drive. I work Pacific Time but am flexible as long as we can overlap for reviews. Think of this as an ongoing, puzzle-piece arrangement: I’ll slot you in wherever your Adobe expertise best advances the project at hand.
If you’re comfortable moving fluidly between Illustrator, InDesign, After Effects, and 3D tools, and you enjoy varied, fast-turnaround tasks, let’s start with a small test hour and build from there.