LED Anamorphic Floral Animation
Budget: ₹1,500 – ₹12,500 INR
I’m redesigning the backdrop of my large party hall and want to move away from physical flower arrangements to a striking anamorphic LED wall display. The vision is a modern-and-abstract cascade of roses, lilies and orchids that “flows” from the top of the wall to the floor, with colours that shift every sixty seconds. A light dusting of sparkles should hover and drift through the scene to add depth without stealing focus from the flowers themselves.
Because the wall must feel alive all evening, the loop has to be seamless: guests should never notice where the animation restarts. I’d like the content delivered in the native resolution of the LED wall (I’ll provide exact pixel dimensions once we connect) and encoded both as the master project file and a ready-to-play video loop.
Acceptance criteria
• 3D or 2.5D anamorphic effect is clearly visible from centre-front viewing positions at floor level.
• Flowers vary in size, shape and orientation, retaining sharp detail on a high-pixel-pitch screen.
• Hue transitions occur smoothly on the 60-second mark without sudden jumps.
• Sparkles remain subtle, never obscuring the floral motion.
• Final files supplied in uncompressed QuickTime (ProRes or similar) plus an H.264 fallback.
• One round of revisions for timing, colour palette or particle density.
If this scope is technically feasible with the LED specs you’ve worked with before, let me know how you’d approach the anamorphic mapping and any render-engine preferences you have (Notch, Unreal, Cinema 4D, etc.). I’m ready to begin as soon as we confirm compatibility and timeline.
Because the wall must feel alive all evening, the loop has to be seamless: guests should never notice where the animation restarts. I’d like the content delivered in the native resolution of the LED wall (I’ll provide exact pixel dimensions once we connect) and encoded both as the master project file and a ready-to-play video loop.
Acceptance criteria
• 3D or 2.5D anamorphic effect is clearly visible from centre-front viewing positions at floor level.
• Flowers vary in size, shape and orientation, retaining sharp detail on a high-pixel-pitch screen.
• Hue transitions occur smoothly on the 60-second mark without sudden jumps.
• Sparkles remain subtle, never obscuring the floral motion.
• Final files supplied in uncompressed QuickTime (ProRes or similar) plus an H.264 fallback.
• One round of revisions for timing, colour palette or particle density.
If this scope is technically feasible with the LED specs you’ve worked with before, let me know how you’d approach the anamorphic mapping and any render-engine preferences you have (Notch, Unreal, Cinema 4D, etc.). I’m ready to begin as soon as we confirm compatibility and timeline.
Related categories:
Animation
After Effects
3D Modelling
3D Animation
3D Design
Video Production
3D Visualization
3D Graphic Design